The Awesome 80′s Prom at Styxx (not at Lucid Stage). Styxx is located at 3 Spring St in Portland.
Maine premier of Ken Davenport’s Off-Broadway Hit Show!Interactive ComedyFun!-Music!-Dancing!-Laughing! It’s Fabu!Party like it’s 1989 w/the Cheerleaders, Captain of the Football Team, Class President, the Nerd, The Spaz and the Crazy Principal!
Party at the Prom!The totally RAD event at which to have your party ~ ANNIVERSARY, BIRTHDAY, BACHElORETTE or GIRLS NITE OUT.Includes continuous dancing thru the nite after the show.
General Admission $12/10
Advance ticket sales for groups of 10-19 ($10 ea.) and 20+ ($8 ea.).
Pre-show 80′s Make-up Party Package-$20
Tickets go on sale April 30. On-Line at LucidStage.com, by phone at 899.3993 and at Styxx.
The Awesome 80′s Prom at Styxx (not at Lucid Stage).
Maine premier of Ken Davenport’s Off-Broadway Hit Show!Interactive ComedyFun!-Music!-Dancing!-Laughing! It’s Fabu!Party like it’s 1989 w/the Cheerleaders, Captain of the Football Team, Class President, the Nerd, The Spaz and the Crazy Principal!
Party at the Prom!The totally RAD event at which to have your party ~ ANNIVERSARY, BIRTHDAY, BACHElORETTE or GIRLS NITE OUT.Includes continuous dancing thru the nite after the show.
Show dates: May 19, June 9, July 7, Aug 4
Tix: General Advance: $8
Advance groups, 10 or more :$6
Buy tix online at LucidStage.com, by phone at 899.3993 and at Styxx.
Join us for Mad Horse Theatre’s last show of the season: Circle Mirror Transformation by Annie Baker.
“…Annie Baker’s absorbing, unblinking and sharply funny Circle Mirror Transformation, shows us people doing deliberately wacky things in a dance studio. The artificiality of the acting games just emphasizes the naturalness of the characters’ real lives and feelings.” -NY Times
Join us for Mad Horse Theatre’s last show of the season: Circle Mirror Transformation by Annie Baker.
“…Annie Baker’s absorbing, unblinking and sharply funny Circle Mirror Transformation, shows us people doing deliberately wacky things in a dance studio. The artificiality of the acting games just emphasizes the naturalness of the characters’ real lives and feelings.” -NY Times
“If you dissolve the shimmer of mystery over this thing, you lose its fascination.” Tennessee Williams
Ten Blocks On The Camino Real is a fantasy play, written in 1946 at the peak of Tennessee’s creative powers. It was meant to be an impressionistic melding of action, poetry, music, masks, and dance that Tennessee believed captured the world we live in with a new kind of “plastic theater”. The play was never produced, but was expanded for Broadway as the more unwieldy Camino Real. Beau Jest has permission from the estate to fully stage the original Ten Blocks in all its mysterious glory with a live band, innovative movement, an original score, creative designs, and a cast of nine actors unveiling the heart at the center of this important missing link in Tennessee’s work.
”I treated the subject freely.
I tried to convey something wild and moving,
like clouds changing shape in a gale,
or the dissolving images of a dream.
This sort of freedom is not chaos.
On the contrary,
it is the result of painstaking design,
and in this play I have given more conscious thought
and attention to construction than I have in any work before.”
